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清代早期万寿青花冬瓜罐精品推荐：

来源：爱乐趣网时间：2021年04月07日 16:14

原标题：清代早期万寿青花冬瓜罐精品推荐：

青花瓷的由来青花是我国陶瓷装饰中发明较早的方法之一，名列景德镇四大名瓷之首。创烧于唐代河南巩县窑，元代在景德镇成熟发展。明代诗人周晋的一首《咏瓷花》词：“如轻云宿墨，似春葓泛幽；甚可夸，浮梁瓷器白无瑕，巧借蓝色写青花。”

The origin of blue and white porcelain, blue and white is one of the earliest methods invented in China's ceramic decoration, ranking first among the four famous porcelain in Jingdezhen. It was founded in Gongxian kiln of Henan Province in Tang Dynasty and developed in Jingdezhen in Yuan Dynasty. Zhou Jin, a poet of the Ming Dynasty, wrote a poem "Ode to porcelain flowers" which reads: "like light clouds and sumo, it looks like the spring is full of seclusion; it can be boasted that the white porcelain of Fuliang is flawless, and it skillfully uses blue to write blue and white."

青花属釉下彩，以氧化钴为着色剂，在坯体上绘画后罩以透明釉，在1320度高温一次烧成。青花可分青釉青花、本釉青花和白釉青花。元明清三代数朝的官、民窑青花瓷各具时代特征和艺术风格。冬瓜罐其形制始见于武汉龙泉明永乐年间楚昭王墓出土物，此后历朝未再见这一造型，至清代早期再度出现并成为晚清时极为流行的器形。

Blue and white is an underglaze color. Cobalt oxide is used as colorant. After painting on the green body, transparent glaze is covered and fired at 1320 ℃. Blue and white can be divided into blue and white glaze blue and white glaze blue and white. The blue and white porcelain of the yuan, Ming and Qing dynasties had their own characteristics and artistic styles. The shape of wax gourd jar was first seen in the tomb of King Zhao of Chu in Yongle period of Ming Dynasty in Longquan, Wuhan. Since then, this shape has never been seen again in all dynasties. It reappeared in the early Qing Dynasty and became a very popular shape in the late Qing Dynasty.

此件清早期青花万寿冬瓜罐，高30cm，口径12cm，底直径16cm。单纯以“寿”字为纹样，是康熙朝官窑所创的独特装饰手法。北京故宫博物院清宫旧藏中有一件康熙朝青花万寿尊，为康熙御窑少见之大器。全器共书写一万个“寿”字，以表万寿无疆之美意，是康熙皇帝过万寿节时御窑厂敬献的礼品。通篇的“寿”字通过缜密安排，排列井然有序，字字工整，使此尊尽显庄重非凡。据《明清瓷器鉴定》的介绍，清宫旧藏中还有用一百个寿字装饰的百寿盘（参见《明清瓷器鉴定》页208），进一步证明此装饰备受皇家青睐。

This blue and white longevity wax gourd can in early Qing Dynasty is 30cm high, 12cm in diameter and 16cm in bottom diameter. It is a unique decorative technique created by the official kilns of Kangxi Dynasty to take the word "Shou" as the pattern. There is a blue and white longevity statue of Kangxi Dynasty in the old collection of Qing Dynasty in Beijing Palace Museum, which is a rare large ware of Kangxi imperial kiln. Ten thousand "Shou" characters are written in the whole ware to show the beauty of longevity. It is a gift presented by Emperor Kangxi's imperial kiln during the longevity Festival. Through careful arrangement, the word "Shou" is arranged in an orderly and neat way, which makes it solemn and extraordinary. According to the introduction of the appraisal of Ming and Qing porcelains, there is also a Baishou plate decorated with 100 characters in the old collection of the Qing Palace (see page 208 of the appraisal of Ming and Qing porcelains), which further proves that this decoration is favored by the royal family.

清代，罐的地位逐渐被瓶、尊取代，康熙以后，罐的生产以实用为主，除传统型的一些品种外，乾隆时期创烧的西瓜罐，流行甚广，一直延续至清末民国。但市场价值一直却很高，近几年青花市场成交记录屡屡飙升，青花已然成为收藏市场的主要宠儿。

In the Qing Dynasty, the status of pot was gradually replaced by bottle and Zun. After Kangxi, the production of pot was mainly practical. In addition to some traditional varieties, watermelon pot, which was created and burned in Qianlong period, was very popular and continued to the late Qing Dynasty and the Republic of China. However, the market value has always been very high. In recent years, the transaction records of blue and white market have soared, and blue and white has become the main favorite in the collection market,

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