首页资讯【精品推荐】齐白石鸳鸯戏水图

【精品推荐】齐白石鸳鸯戏水图

来源：爱乐趣网时间：2021年03月23日 10:22

原标题：【精品推荐】齐白石鸳鸯戏水图

齐白石兼攻诗文、书画、篆刻。迫于时艰，他以鬻艺养家糊口。他在学画过程中曾得到陈师曾、林风眠、徐悲鸿等人的扶携。特别是陈师曾，力劝其改变冷逸的画风。齐白石遂创“红花墨叶”画法在红色、黑色的强烈对比中表现浓郁的民间审美趣味，传达强烈的生命勃发意识。齐白石的画一扫传统文人画的荒寒之气，生机盎然，具有烂漫的情趣。

Qi Baishi also specializes in poetry, calligraphy, painting and seal cutting. He was forced to live for a living by hard times. He was helped by Chen Shizeng, Lin Fengmian and Xu Beihong in the process of learning painting. In particular, Chen Shizeng urged him to change the cold and elegant style of painting. Qi Baishi thus created the painting method of "red flower and ink leaves" to express the strong folk aesthetic taste in the strong contrast of red and black, and to convey the strong consciousness of life. Qi Baishi's paintings are full of vitality and full of romantic interest, sweeping away the desolate and cold atmosphere of traditional literati paintings.

荷花是齐白石经常描绘的题材之一。他的荷花画上多作有咏荷诗。如他的《荷塘》上作有“少时戏语总难忘，欲构凉窗坐板塘。难得那人含约笑，隔年消息听荷香”的诗句，写出少年时的齐白石与某位佳人相约赏荷的朦胧情怀。他还写有“一花一叶扫凡胎，抛杖拈毫画出来。解语荷花应记得，那年生日老萍衰”的题画诗。荷花解语，连齐白石的生日都记得。齐白石在92岁那年画了两幅画面近似的《荷花影》，像哄小孩一样，让弟子李苦禅、许麟庐抓阄后各得一张。我们从中既可看出齐白石的童心可掬，又可看出他对荷花的深爱之情。

Lotus is one of the themes Qi Baishi often depicted. His lotus paintings are often composed of poems chanting lotus. For example, in his "Lotus Pond", he wrote, "When I was young, I would never forget my stories. I would like to build a cool window and sit on a pond. It is rare that the person with about smile, every other year news to listen to the lotus "poem, write the youth of Qi Baishi and a certain beauty to meet the hazy feelings of the lotus. He also wrote: "A flower and a leaf sweep all the fetus, throw a stick to draw out. Lotus should remember that birthday old duckweed decline "painting poem. Lotus explanation, even Qi Baishi's birthday can remember. At the age of 92, Qi Baishi painted two similar paintings of the shadow of the lotus flower, like coaxing a child. His disciples Li Kuchan and Xu Linlu each won one after drawing lots. We can not only see the childlike innocence of Qi Baishi, but also see his deep love for lotus.

此作是齐白石所作鸳鸯戏水图，笔墨简约，意蕴丰厚，是典型的“红花墨叶”风格。画左上绘两片荷叶。画家画荷叶以石绿色敷染，掺以藤黄色及墨色，铺毫刷笔，让墨色在干湿、虚实、浓淡中形成自然、和谐的块面；再勾出叶脉纹络，形成如荫似盖的绿叶。为让绿叶有所依托，画家饱蘸浓墨，掺以石绿色，顺势在绿叶下渲染出大片墨块。绿叶用墨浓中有淡、实中带虚，层次丰富，黑色和绿色相互映照。两叶之间，用胭脂红涂出荷花。花苞在田田荷叶之间，有一种“万绿丛中一点红”的感觉。画家从画右面的边际画出墨中带绿的藤杆，让其与荷叶相抵，如撑开的绿伞。三株藤杆粗细、长短不一，彼此交叉着。画中的荷叶以厚重的块面绘出，塘底的涟漪以细劲的线条绘出。下半部的横向线条起伏变化，给人一种微风吹动、水波荡漾的感觉。

This work is a picture of mandarin ducks playing in the water by Qi Baishi, with simple brush and rich implication. It is a typical style of "red ink leaves". Draw two lotus leaves on the upper left. The painter painted the lotus leaf with stone green, mixed with rattan yellow and ink, and applied a brush brush to make the ink form a natural and harmonious block surface in the dry and wet, void and solid, and shade. Then draw out the veins of the leaves, forming a shade like cover of green leaves. In order to give the green leaves some support, the artist dipped in thick ink, mixed with stone green, and created large ink blocks under the green leaves. Green leaves with thick ink with light, solid with virtual, rich layers, black and green mutual reflection. Between the two leaves, paint lotus flowers with carmine red. Bud between Tiantian lotus leaves, there is a feeling of "a little red in the green". From the right edge of the painting, the painter drew the green cane in the ink and made it stand against the lotus leaves, such as the open green umbrella. The three vines, of various lengths and thicknesses, crossed one another. In the painting, the lotus leaves are painted in thick blocks, and the ripples on the bottom of the pond are drawn in fine lines. The horizontal lines in the lower half undulate and change, giving the impression of a gentle breeze and rippling water.

齐白石说过：“余作画每兼虫鸟，则花草自然有工致气。若画寻常花卉，下笔多不似之似，决不能此荷花也。”观《鸳鸯戏水图》，粗放笔法画成的荷叶与工细笔法画成的鸳鸯形成对比。此画用笔或重拙、或轻灵、或粗犷、或纤美，力度与情趣兼具，饶有金石之气；墨色酣畅淋漓，红花与墨叶(及绿叶)相映，富有生机；荷叶团团，在构图上，上部荷花实中带虚，下部涟漪虚中有实，中间的鸳鸯连接了这两部分。

Qi Baishi once said, "When I paint with insects and birds, the flowers and plants naturally have a delicate spirit. If you paint ordinary flowers, you can never paint this lotus." In the painting, the lotus leaves painted with extensive brushwork are contrasted with the mandarin ducks painted with fine brushwork. The brush used in this painting is heavy and clumsy, light, rough or delicate, with both strength and interest, and is full of the gas of stone. Ink dripping, red and ink leaves (and green leaves) set off, full of vitality; Lotus leaves, in the composition, the upper lotus is solid with empty, the lower ripple is empty with solid, and the middle mandarin duck connects the two parts.

齐白石的画笔墨凝练、形象生动、格调清新、雅俗共赏，洋溢着浓郁的生活气息，蕴涵着丰富的审美趣味。他之所以能取得较高的绘画成就，既缘自其“不教一日闲过”的勤奋，又缘自其永葆淳朴、善良之心。

Qi Baishi's paintings are concise, vivid, fresh, elegant and popular, full of strong life flavor and rich aesthetic taste. The reason why he can achieve higher achievements in painting is not only due to his diligence of "not teaching a day of leisure", but also due to his eternal simplicity and kind-hearted heart.

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